The Matterhorn: truth in fiction
The Matterhorn with Dr. Kathleen Waller
The Cinematic in Fictions | Episode 29
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The Cinematic in Fictions | Episode 29

How to layer fiction with the cinematic: focus on Hong Kong filmmaker Fruit Chan [+ apartment buildings]
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Quarry Bay apartment building, Hong Kong (photo by the author)
Each week on The Matterhorn podcast, I discuss a way to layer fictions and discover the nuances of truth, using my novel as a catalyst but looking at other works of fiction as well as theory and interdisciplinary ideas. Each week, I also spend a little time on places & spaces, as part of a continued discourse on these ideas.
Thursday, I’ll be back with a 5-minute actionable version of today’s show, and Saturday I’ll share the next chapter of A Hong Kong Story. If you want to choose which posts you receive via email, please visit this page.
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Today’s episode links to “Part I: Quarry Bay, i” in A Hong Kong Story.

A full transcript can be accessed on the desktop web version.

Keywords:

  • Cinematic in fictions - some questions

  • Quasi-real

  • Filmic apartment ellipsis

  • Fruit Chan & Hong Kong filmmakers

  • Literary examples of using the cinematic & ideas for you

    • Allusions

    • “Haunting” the text

    • Genres

    • Montage

    • Cultural iconic

    • Absence

    • Film/society/politics

    • Cinematic Book genre

  • Place & Space focus - apartment buildings (see the trailers for some examples)

  • PS Let’s talk about “Adaptation” another time! I have a lot to say about it.

Texts:

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The Matterhorn: truth in fiction
The Matterhorn with Dr. Kathleen Waller
The Matterhorn is for writers and curious minds from author and academic Dr. Kathleen Waller.
Each week in this new season, Kathleen shares a chapter of her serialized novels - A Hong Kong Story & An Interpreter in Vienna - and uses it as a catalyst to discuss the layers of literature and how you can use these in your own writing.
The Matterhorn mission is to bring books and texts to life through an interdisciplinary and international approach as well as help writers take risks and create from knowledge.
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