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Each week on The Matterhorn podcast, I discuss a way to layer fictions and discover the nuances of truth, using my novel as a catalyst but looking at other works of fiction as well as theory and interdisciplinary ideas. Each week, I also spend a little time on places & spaces, as part of a continued discourse on these ideas.
Thursday, I’ll be back with a 5-minute actionable version of today’s show, and Saturday I’ll share the next chapter of A Hong Kong Story. If you want to choose which posts you receive via email, please visit this page.
I’m keeping all of this completely free for listeners/readers with the option of patronage and support through my Bookshop.org affiliate page. Thanks for joining us today!
Today’s episode links to “Part I: Quarry Bay, i” in A Hong Kong Story.
A full transcript can be accessed on the desktop web version.
Keywords:
Cinematic in fictions - some questions
Quasi-real
Filmic apartment ellipsis
Fruit Chan & Hong Kong filmmakers
Literary examples of using the cinematic & ideas for you
Allusions
“Haunting” the text
Genres
Montage
Cultural iconic
Absence
Film/society/politics
Cinematic Book genre
Place & Space focus - apartment buildings (see the trailers for some examples)
PS Let’s talk about “Adaptation” another time! I have a lot to say about it.
Texts:
Books are linked to my affiliate page on Bookshop.org where I receive 10% of profits on any purchase. 80% of their profits go to independent bookstores. This helps to keep all my work paywall-free. Thanks for your support!
Video on post above - Hong Kong at night from Pixabay
My PhD dissertation - “Immigrant Imaginaries in the Filmic Apartment Ellipsis” - Fruit Chan is discussed throughout
Shaolin Soccer film
Dumplings (2004) - Fruit Chan (director), Christopher Doyle (cinematography)[trailer above] Made in Hong Kong (1997) Fruit Chan (auteur) Durian Durian
HKIFF - independent film festival
Wong Kar Wai: Happy Together (scene), Chungking Express (trailer), In the Mood for Love (recent New Yorker feature on aesthetic)
Ann Hui - A Simple Life, The Way We Are, Night and Fog
Alfred Hitchcock: Rear Window, Vertigo (rooftop chase scene)
Gilles Deleuze: Cinema 1 and 2
Sigmund Freud “The Uncanny”
Paul Auster - Book of Illusions
Rushmore film
Chelsea Martin - Tell Me I’m an Artist
Column McCann - Let the Great World Spin
Jeffrey Eugenides - The Virgin Suicides
Graham Greene - The Third Man
When we call a book cinematic, what do we really mean? LitHub
Langston Hughes: “Advertisement for the Waldorf Astoria”
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